trauma15 (December 31, 1969 at 6:59 pm)

well i think, and i may be wrong but, in order to do this you must: be good at regular jazz playing and know the fretboard very well and be able to play over changes very well. holdsworth incorporates lots of diminished ideas, and for this solo in particular he seems to stretch his fretting hand a lot, its prlly really hard to keep track of the notes yorure playing and the changes like that but hees amazing so idk.

ProtoCosmos (December 31, 1969 at 6:59 pm)

Wow, these guys are pretty good.

walterockmx (December 31, 1969 at 6:59 pm)

Thank you center77 for answeringme this question!!I would like to see some pictures of the guitar that you built with the fanned frets=)

center77 (December 31, 1969 at 6:59 pm)

It is a Bill Delap guitar. I couldn't find a website but I saw one live. I built one a little like it but with fanned frets.

Saxyman14 (December 31, 1969 at 6:59 pm)

C#-9, Amaj7#11, Cmaj7#11, Bmaj7, E-9.So... stuff around that.

webbtje (December 31, 1969 at 6:59 pm)

Seriously, Allan wins. Everything.

tomacoexperiment (December 31, 1969 at 6:59 pm)

I like the version of Howe Wooten Chambers

voncoolio (December 31, 1969 at 6:59 pm)

It's like Wayne, Miles and Coltrane playing on his one guitar at the same time.

meluaz (December 31, 1969 at 6:59 pm)

yes. melodic scales contsantly changing key

TyShredder (December 31, 1969 at 6:59 pm)

anybody have any clue as to what the fuck this man is doing?